Review of Keychange: Amplify Symposium at MUTEK

Tara Rodgers keynote at Keychange Amplify symposium, MUTEK Montreal, 2018
Photo by Bruno Destombes

In the Warsaw-based Glissando magazine, Marta Beszterda writes:

“One of the conference’s great assets was that multiple stakeholders were called to participate in an effort to answer the big questions about diversifying the music industry. Participants included festival curators, artists, decision makers and institutions, as well as researchers and scholars (Marie Thompson’s presentation on the sonic cyberfeminism and Analog Tara’s presentation on the feminist movement in electronic culture were definitely some of the symposium’s highlights). …

What particularly stood out for me with regard to the need for diversity and intersectionality in electronic music industry, was Analog Tara’s keynote presentation … where she explained that acting for gender diversity in electronic music is inherently intertwined with the issues of personal and social identity, wider cultural experience as well as racial and economic justice. As she said: (…) ‘creative expression is an embodiment of freedom. And more often, creative expression embodies many different dreams or yearnings that move in the direction of freedom. And we need as many different dreams of freedom as we can get.'”

Read the full Keychange: Amplify symposium review at Glissando.